T-shirt design

 

Some people earn a comfortable living by making T-shirt designs. What strikes me is that most of the good selling designs are sort of corny - to stay polite - which means that corny is popular, which, reasoning further, must have been caused by the mindset of the buyers, which in turn is the result of the way in which they grew up and were educated (or not) if there is a relation between being plagued by a lack of education and buying apparel that tends to make those that wear it look like they have been raised in an environment that didn't offer proper support. But there still are designers that refuse to make corny stuff, as a result of which their sales are miles behind those that do not shy away from making corny rubble on T-shirts in which buyers look well....., corny. I would like to express to both the designers and apparel buyers of a garment style that obviously is not at the top of my preference list, to not take what I wrote here personal; I think every person is free to make or buy whatever bunk they like. 

However personally, I prefer to sell less non corny merchandise, because I do not wish to be involved in making designs that reflect the lack of taste or other disabilities that urge people to buy and assemble a wardrobe that a three year old finds appealing while already having reached an adult age. Of course fans of corny T-shirts would rather be found dead than wearing the fruits that erupts from my brain, but I would sooner pass away being considered a more or less ethical designer than to give in to the frenzies of the part of the market that isn't bothered by leaving the house not appearing properly dressed.

Below you find some of the designs that are appreciated by far less people than the common majority of clients of the T-shirt industry, even if it is not particularly helpful to properly replenish my bank account occasionally. I assume that most would prefer to call me weird or unassimilated, which in fact is true, but I don't necessarily consider generally accepted values to be a contribution to the evolution of humankind. So, from this it is safe to conclude that the market segment I intend to target consists of those that have a defiant mindset, that inspires them to care less about what the majority of people thinks of the products they create. In view of the misery today's world finds itself in, it can be assessed that majorities all too often cheer dubious decisions and trends, which are triggered by being easily misled as opposed to minorities that bunk or debunk what is presented to them before making choices. 

Click on the link below the images to visit my Red Bubble shop. Clicking on images will also show a larger version of them in Google's Lightbox, in which you can scroll through them or pick individual images to the thumbnail display at the bottom of the screen on a PC or Mac. Or just click on an enlarged image to move to the next. Mobile devices unfortunately do not offer these options.

https://t.ly/wicam

https://rb.gy/knsggd

https://rb.gy/igx6vz

https://t.ly/xhunU

https://shorturl.at/wDGTW

http://gg.gg/19zqh1

https://t.ly/cmODC

https://t.ly/UnRl0

https://t.ly/6zuLb

https://rb.gy/8qfdmq

https://t.ly/77QvH

https://t.ly/YZJFp

http://gg.gg/1a040o

https://t.ly/A9DAu

https://shorturl.at/coDY3

https://t.ly/M-5Ra

https://tinyurl.com/2466xeur

https://shorter.me/uzE-v

https://shorter.me/hWYFk

https://n9.cl/rxo4t

https://rb.gy/7bw1jf

https://rb.gy/6ycjsm

https://rb.gy/ezrej9

http://gg.gg/1a089g

http://gg.gg/1a08ci

http://gg.gg/1a0c6x

I feel that I must warn you that more produce inspired by not choosing to create corny rubble may find its way into this blog entry in future, allowing you to mentally prepare for such an impending event and decide to visit again or stay the heck away.

Canva's pledge to Affinity

 

After the news was published that Canva had acquired the Affinity programs from Serif, Affinity's forum exploded and most reactions were not particularly positive. The main reason resulted from the fact that Canva is a subscription based web based tool, while the programs from the Affinity suite require a one time payment for each major version upgrade. The users' concern was justified, since by far the most had turned to Affinity after fleeing in droves from the absurdly expensive and monthly recurring fee Adobe suite. Switching platform is very time consuming and not a leisurely stroll in the park, since the file formats are proprietary for all brands, which means that either files need to be converted to the file format of the refuge application and start a new library from scratch, which will not make customers  and designers happy and therefore reduces income. Particularly modifying and updating legacy files that can not be imported into the involuntary chosen application is a horror scenario for graphic designers.

To ease the minds of the Affinity community and prevent coronary accidents, Canva issued a statement shortly after they published the new that Affinity was acquired. It contained four pledges that can be read in the image below and in the accompanying article published by Canva that you can read here. This allowed most Affinity users to decouple from the oxygen pump and helpers discontinue CPR. In theory the pledges contain a hundred percent positive message, that would put Affinity users' minds to rest and offers Serif to accelerate the programs' development, while operating in a larger chunk of the graphic design market segment. We will have to see what the lifespan of these pledges is. For now Canva should get the benefit of the doubt. It has the potential of preventing a massive parade to the exit of users of the Affinity suite as well.

Canva's pledges to Affinity

Past acquisitions for the majority haven't went well for users of the programs that were built by the company that was overtaken. But there is not a lot that users can do about it. Besides a switch that I mentioned in the previous blog post to the superb, one time payment VectorStyler drawing program, there also is the open source Inkscape that in theory has a great potential where the functional usefulness is concerned, but its UI is by far not as intuitive as Affinity's user friendly interface. VectorStyler does a better job at that, considering that the program has so many tools and functions that it even dwarfs Adobe Illustrator in the versatiliy and completeness department. But after users have become familiar with them, working with VectorStyler opens up new worlds. It however has no photo editor and desktop publishing program, which Affinity has turned into a very proficiently integrated suite of programs, that is unique in software.

VectorStyler logo

So, there is nothing else left for the Affinity community to wait what the future brings. It also is possible to continue to work with the latest version after Affinity would have turned to the subscription rip off model, should Canva dump the pledges in the bin at one point. Pixel pushers could look for possibilities to learn open source GIMP as a photo editor. What VectorStyler has done is prove that the instant of software rot still is quite a distance away. Software rot being the moment in which no further improvement to a program can be made, because it already contains all possible tools and functions imaginable. Unfortunately a desktop publishing program of the level of Affinity Publisher is one developed by Adobe and called InDesign, that is a budget unfriendly, perpetual payment rip off.

Inkscape logo

The question is, can or do graphic designers want to live with the restrictions imposed on them, accepting the fact that they will have to use programs of different brands that aren't designed to flawlessly work together or not? Globalism is a devious corporate / government / UN game in which the losers are known from the beginning as well as the winners. This doesn't exclusively apply to graphic designers; it is why the trillion dollar censorship is coerced on everyone that does not have at least a seven digit bankaccount. Any person with more than two properly functioning brain cells should be tempted to see such an iniquitous development in a broader perspective, because there is more at stake than initially meets the eye.

GIMP logo

Today the globalists' aim to separate the haves from the havenots in an illegal and unfeeling way. They have made it a societal problem that will not spontaneously go away, unless people wake up and stand for their rights, which aren't the corrupt laws that the crooked politicians and evil juridical clowns have imposed. Justice is real truth and nothing else what those without a covert, genocidal plan intuitively feel. Waking up lies poured out on us is the only way out of this callous global misery. 

Thanks for visiting and wishing you an independent future.

Canva acquires the Affinity suite programs

 

The announcement of Canva acquiring the programs of the Affinity suite, came as a thunder strike in a clear sky. Although the CEO of the Serif company, that owns the Affinity suit of programs, tried to make it seem like nothing will change for its community of users, the acquisition caused quite a stir among Affinity crowd. By the way, this topic has recently been closed for comments on the Affinity forum, most likely because by far the most posts, did not cheer the acquisition. The concerns Affinity users put forward make a lot of sense, the most important of which is the fact that the Affinity programs are sold for a one time fee, as opposed to the Canva and Adobe products that require payments according to the subscription model, which means users pay an indefinite amount of money as long as they use the programs, which smells like a daylight robbery.

Surprise acquisition of Affinity by Canva

Most Affinity users abandoned Adobe, because they did not want to continue to pay for the programs by a subscription model fee. In addition the functionality of the online design system of Canva is nowhere near of what can be done with the Affinity suite programs. In addition to this relative shortcoming, Canva bugs the hell out of its users with a barrage of ads, that the locally installed Affinity programs do not. These things give the Affinity community enough to worry about, which they of course do, because they remember how acquisitions that took place in the past turned out, in spite of the promises of the CEO's of the acquired company that nothing will change in the manufacturer - user relation.

Canva needed code like Serif bult, because the latter has developed software that far succeeds the functionality of the former while Canva has the financial power to acquire Serif. It is a repeating story in the world of software, that always evolves along the same lines. The acquired partner always has to cave in and abandon its user friendly policies because those policies are changed towards the nature of those of the acquiring partner. It is of little use to deny such a prospect, because it is the tried and tested way from a business point of view, that outranks all other considerations and policies and therefore makes it predictable what the future developments hold, with regard to user obligations.

Some annoyed users stated that they will return to Adobe, what will cost them an arm and a leg, while it was the reason they abandoned Adobe and switched to Affinity in the first place. So, that doesn't really make a lot of sense in my opinion. Fortunately there still is one appealing alternative available, which is switching to the brilliant VectorStyler, which is built, offered and updated by just one single person (....) a.k.a. programming wizard, named Csaba Raduly-Baka who resides in Finland, who seems to have resisted the temptation of big players in the graphic design market segment to hire him to make use of his outer worldly programming skills. VectorStyler is a graphic design program that is packed with a ton of functions that none of its competitors include and its programmer has a close relationship with the users of the program, that leads to meaningful upgrades that make the program even more usable than it already was.

So, lets see how much time it requires for Serif to succumb to the demands of Canva and in the meanwhile go check out the prowess of the superb vector design VectorStyler program, that also is available for a one time payment instead of the perpetual subscription based extortion method. I promise it will be worthwhile for graphic designers, who are fed up with the corporate greed of the big players in the graphic design market segment. You will be pleasantly surprised by the plethora of very usable functions that VectorStyler offers its users! It is the most estimable refuge for graphic designers that have much talent, but limited funds in trying to survive in the aim of companies to gain limitless corporate dictatorship.

I for one will focus on working with VectorStyler and Plasticity 3D that so far have displayed a fair policy towards their users, while maintaining a rapid upgrade frequency. It has become a challenge to continue to work for graphic artists in a corporation ruled environment, but fortunately there are at least some companies left that value decency and skill on their journey through space and time.

Vector painting of a jaguar

 

This is a vector portrait of a crouching jaguar, created in VectorStyler and Affinity Designer. At this time - March 2024 - it still is a work in progress. VectorStyler I used to create the majority of the spots, using the Spikes shapes effect, which shapes the outline of an object into a spiky line, that can be controlled. In Affinity Designer I did the composition and tweaking. Vector objects can be copied and pasted between the two programs, which is a time saver, since Vector Styler has a ton of tools that are not incorporated in the programs of the competition.

Everything mentioned above was drawn with the mouse. The final touches - the hair strands - will have to be drawn and I plan to do it with my old Huion 620 Pro drawing tablet (in vectors too), because I intend to keep this image a 100% vector drawing. The oldest stage is at the bottom, the newest on top. Click on an image to see a larger version of it in Google's Lightbox. In there you can also scroll through the stages on a PC. I used a ton of tricks to create the desired effect. In a multi layer drawing as this one, that contains a large amount of objects, it is best to use the Spit Screen View in Affinity Designer to select and / or reshape objects to save a huge amount of time. This paragraph also is in the bottom section of this blog entry. Most objects are given gradient fills, transparency, layer effects and Gaussian blurs to avoid the proverbial had edges typical for vector drawing programs. This makes images drawn in such a way appear to be very unrealistic.

Please check in every now and then to see the progress of this drawing.

Vector outline

The vector outline view shows the contours of objects and strokes - what actually is drawn - without fills and effects applied. Below this paragraph is the vector outline view from the stage before adding the fur structure that would dominantly hide parts of other objects, since it literally shows a plethora of objects. At this stage the outline view without the many strokes of hair still gives a rough idea how the drawing was set up. It also presents an idea of how many objects (called Layers in Affinity Designer) were drawn to achieve the desired result, bearing in mind that many objects are stacked on top of each other (most with a different effect or blend), which does not show in the outline view. Drawing the jaguar in vector instead of pixels, allows to resize the image to any scale without loss of quality.

Multiple object / layer selection in Split Screen View

When a drawing contains hundreds or thousands of objects / layers, selecting a particular one is difficult. The only effective solution to this problem is to work with a Split Screen View in Affinity Designer, which makes selecting less cumbersome, especially when the drawing contains many nested (objects within objects to various levels) layers. The image below shows what this looks like.

Jaguar in a virtual 3D frame

I often place my vector 2D images in a virtual 3D frame to see what it would look like, using the Plasticity 3D program to draw the frame, to see if the placement of the composition is off, before having it giclée printed, which is a special fine art way of printing with a high resolution (up to 6800 dpi and a 100 year of quality preservation). If cropping and / or alignment isn't done meticulously, any artwork can be ruined or subconsciously look strange. The image below shows the as of now not yet final stage of March 12 2024.

The vector painting
in a virtual 3D frame

David Lynch vector portrait

This vector portrait of film maker, painter, actor, visual artist and musician David Lynch, who has become renown by his movies - The Elephant man, Blue Velvet, Mulholland Drive, Wild at Heart, Dune, Lost Highway and Inland Empire. He probably has become most famous by cowriting and directing the intriguing TV-series Twin Peaks. All his cinematic work has a surrealistic touch, which is a clue to his knowledge and mindset that goes far beyond and above those of common people. This vector portrait was created in Affinity Designer and at this point - January 2024 - still is a work in progress. At the bottom is the oldest phase and the most recent stage is at the top. On PC and Mac desktops click the images to view them in Google's Lightbox, that also allows to scroll through the various stages. On mobile devices this scrolling option sadly is unavailable.

In Affinity Designer there are what Serif calls 'Vector Brushes' that actually are based on bitmap images. So, this in fact is not a 100% vector portrait. Users can draw these brushes themselves in vector format, that are exported as png-files. For almost every 'vector' portrait, drawing specific brushes have to be created, since no hair strand or pore texture in a person's face are the same. To such brushes Gradient Fills and Gradient Transparency effects are applied and sometimes they are Duplicated using Filters (below the Layers panel) that in some cases are offset, re-sized, skewed or mesh warped a little. In a number of cases it helps to apply the 3D lighting effect - highlights and outer shadows - to these brushes too. In the Gradient Tool there is an option to use bitmaps as the fill, which also is useful to achieve the desired effect. To these type of fills the same effects can be applied as used to manipulate the Vector Brush strokes.

I dusted off my old trusty Huion 610 Pro graphic tablet to draw some of the hair strands, which is suited to do part of the job using self designed brush textures (that technically are not real vectors). In vector drawing programs, like Affinity Designer, it is a challenge to navigate and keep oversight on the ton of Layers that are created when drawing portraits. Assigning names to the key layers and grouping the in categories is necessary to prevent getting lost in a plethora of objects.